Red Line Cafe Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels I was presented with the exciting challenge of designing an urban café with a sustainable focus, and I knew this was an opportunity to bring a unique vision to life. Inspired by the dynamic energy of Chicago, particularly its iconic Chicago Transit Authority (CTA), I conceptualized Red Line Café as a vibrant community hub. The design features a striking entrance with a wave-like lightbox, evoking the movement of the city, paired with railings reminiscent of the architectural lines of the John Hancock building. Inside, I wanted to create a space that feels as lively as the city yet comfortable enough for a wide range of activities. From the CTA-inspired signage to a streamlined, minimalist coffee menu, every detail is designed for ease and flow, inviting patrons to navigate the space effortlessly. The seating is intentionally varied, accommodating everyone from solo visitors seeking a quiet corner to larger groups gathering for board games, studying, or remote work. Whether grabbing a coffee during a busy commute or unwinding with a beer after work, Red Line Café offers a flexible, welcoming environment that captures the spirit of Chicago. This design embodies the balance between urban vitality and communal comfort, and I am confident it will leave a lasting impression on all who visit. Design Process

Solitude Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels In a world paused by uncertainty, Solitude captures the quiet ache of disconnection. The room—tall, stark, and coolly lit—serves as both a physical space and an emotional void, inspired by the blank walls of my apartment in Chicago. Its refined, almost sterile design reflects a life that appears well-ordered on the surface, yet underneath, there is a profound sense of absence. The lone figure, small against the vastness of the room, gazes longingly through the large windows. Outside, the soft glow of lights from neighboring apartments offers a glimpse of life continuing, but for him, it is untouchable—residing in a distant world he can no longer access. The glowing windows of the six-story apartment building become silent witnesses to his isolation, each light representing lives lived in parallel yet separate, evoking the shared but disconnected experience of the pandemic. The man’s posture—still, almost frozen—suggests the weight of this isolation. Though surrounded by modern comforts and refinement, the space feels hollow, echoing the deeper emotional landscape of yearning for contact, for warmth, for human connection that once seemed so ordinary. Solitude is a meditation on the human condition during a time of profound global isolation. It invites the viewer to confront the tension between external appearance and internal desolation, between presence and absence, and ultimately between the yearning for connection and the void that remains when it is lost. Design Process

Tomás and the Library Lady Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels Design Process

Lysistrata Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels Abstract For this outdoor production of Lysistrata at the University of Texas, El Paso, I reimagined the exterior of the Fox Fine Arts Center as a dynamic, open-air performance space. Influenced by the challenges of COVID-19, the design featured bold custom graphics and a striking metallic statue, creating an environment that embraced the energy of the play while meeting the unique demands of an outdoor venue. Design Methods Previsualization | Vectorworks > Twinmotion > Photoshop Design Process

Coraline Project | Walkthrough Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels Created in mid-2019 as part of a collaborative design project at UCI,this reel explores a Coraline-inspired immersive event space. Developed before Twinmotion was acquired by Epic, the project involved Drama Design graduate students who crafted a Meow Wolf-style experience, transforming Neil Gaiman’s world into a dynamic, interactive environment. Design Process

Design Process Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Assistant Scenic Design Design Drafting Design Reel Rendering Scenic Models Add a Title Bottle Shock Red Line Cafe Penelope’s Descent Solitude Southside Baptist Church Turandot Park and Shop Lysistrata New Swan Venue File An Inspector Calls Tomás and the Library Lady Coraline Project | Walkthrough Footloose Scenic Design Falstaff Tales from Hoffman Rodelinda American Idiot Hamlet The Man with the Flower in His Mouth

American Idiot Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels The scenic model for American Idiot, designed for a production at the University of California, Irvine, explores the aesthetic of California suburbia through fully 3D-printed elements. This innovative model was created to test the boundaries of 3D printing in scenic design, capturing the raw, suburban edge that underpins the rebellious energy of American Idiot. The design balances structure and chaos, reflecting the themes of youthful rebellion and societal constraints. Design Process

Falstaff Using Vectorworks , I create detailed drafting packages that turn creative visions into actionable plans. From scenic design to experiential environments, these precise drawings ensure seamless execution at every stage. Rendeing & Visualization Design Reels This scenic model for Falstaff brings Verdi’s comedic opera to life with a detailed tavern setting, complete with intricate ceiling details that enhance the rustic atmosphere. Crafted from foam core, the model captures the lively ambiance of the tavern where much of the action unfolds, offering a warm and inviting backdrop to Falstaff's humorous misadventures. Design Process

Media Mentions Directory Explore reviews and articles that highlight the creativity and impact of my scenic designs, showcasing a range of productions from classics to contemporary works. August 8, 2024 Iowa classic ends stellar season FunAtBoji.com “No Trouble in Okoboji; Just an All-Around Great Show”: Commends Davis’s design for The Music Man for its versatility, utilizing a brick-wall backdrop that transitions between various settings, contributing to the show’s dynamic staging. Read Article July 12, 2024 Students, professionals partner perfectly in musical FunAtBoji.com ”‘Freaky Friday’ is Adaptation of Popular Disney Film”: Praises Davis’s comic book-inspired set, with oversized rectangular boxes that rotate to depict different scenes, enhancing the whimsical nature of the production. Read Article May 30, 2023 New Swan Outreach: A New Vision of Community UC Irvine Humanities ‘¡Lotería: Game On!’ Brings Mexican Culture to Life at SilCo”: Highlights Davis’s vibrant and textural scenic design inspired by Mexico, featuring LED lights and abstract visuals that transformed the space into a magical world, immersing the audience in the game. Read Blog July 22, 2021 Murder mystery meets comedy as ‘Clue’ takes the stage FunAtBoji.com “Talented Cast, Skilled Director Make for Another Great Production”: Lauds Davis’s work on Clue: On Stage , noting the rich green walls with gold trim and the clever use of furniture to represent different rooms, effectively bringing the board game to life. Read Article February 10, 2020 UCI’s “The Penelopiad” Brings New Narrative to a Classic Greek Epic New University “UCI Drama Department’s Cleverly-Crafted Production of ‘The Penelopiad’” by Lauren Knight: Highlights Davis’s set design featuring tree roots descending from the ceiling, creating an underworld ambiance that complements the narrative. Read Article June 6, 2019 The Pajama Game Stage Scene LA “Racially Diverse Casting Skyrockets a Sixty-Five-Year-Old Broadway Classic into the 21st Century”: Discusses Davis’s stylish set design for The Pajama Game , which provided seamless transitions and complemented the vibrant choreography and period costumes. Read Blog June 8, 2018 REVIEW – “AMERICAN IDIOT,” UC Irvine The Show Report “REVIEW – ‘American Idiot,’ UC Irvine” by Chris Daniels: Highlights Brandon PT Davis’s dynamic set design, featuring industrial elements like slick gray stairs, overhang walkways, and symbolic mattresses to evoke a gritty, urban atmosphere. The set complemented the high-energy production, seamlessly integrating projections, lighting, and stagecraft to bring Green Day’s politically charged rock opera to life. Read Blog October 7, 2016 A creature rises from the 'Black Lake Lagoon' Santa Maria Times This Season’s Creature Feature at the Great American Melodrama in Oceano”: Highlights Brandon PT Davis’s scenic design for Trudy and the Beast , which brought humor and charm to the production. Davis’s creative set elements, such as the cavern under the 13th hole, complemented the comedic and fantastical tone of the show, enhancing the story’s whimsical atmosphere. Read Article May 27, 2016 What A Night In Denver! Latinos Win DCPA Bobby G. Theatrical Award Denver Post “2016 Bobby G Awards Recognize Colorado High School Theatre Excellence”: Brandon PT Davis was recognized for his work in scenic design alongside Corey Baca and Andre Rodriguez for Westminster High School’s production of The 25th Annual Putnam County Spelling Bee . Their creative efforts were honored as part of this prestigious celebration of outstanding achievement in high school musical theatre. Read Article

Collaborator Select Category Select Production Portfolio Links Add paragraph text. Click “Edit Text” to update the font, size and more. To change and reuse text themes, go to Site Styles. Collaboration Directory This directory celebrates the incredible directors, music directors, choreographers, and designers I’ve had the privilege to work with. These collaborators inspire the creativity and innovation behind every production. Explore their contributions to unforgettable shows, and filter by role to learn more about the teams that make the magic happen.

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad The Last Train to Nibroc For The Last Train to Nibroc, I focused on creating an intimate setting within the vastness of the proscenium to enhance the play’s themes of connection and vulnerability. The design features a raked stage and a smaller, textured proscenium crafted from Kentucky barn wood, evoking a sense of warmth and nostalgia. A 30-foot truck backdrop transitions seamlessly between locations, reinforcing the journey while maintaining the close connection between the characters, Raleigh and May, as they navigate love in uncertain times. Previous Next Next Creative Team Written by Arlene Hutton Directed by Janice Goldberg Scenic Design by Brandon PT Davis Costume Design by Kristin Cook Lighting Design by Josh Hiser Sound Design by Michael Burke Okoboji Summer Theatre / 2016

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad ¡Lotería: Game On! For ¡Lotería: Game On!, I aimed to create a visually engaging set that captures the vibrant and communal spirit of the Mexican bingo game, Lotería. Drawing inspiration from the lively colors and bold imagery associated with Lotería cards, the set serves as a dynamic backdrop that enhances the play’s celebration of cultural identity and family bonds. The design incorporates adaptable elements, allowing the space to transform fluidly between scenes while maintaining the playful and inviting atmosphere central to the production. Previous Next Next Creative Team Written by José Cruz González Directed by Sarah Rodriguez Scenic Design by Brandon PT Davis Costume Design by Lauryn Terceira Lighting Design by Nita Mendoza Sound Design by Noel Nichols Lake Dillon Theatre Company / 2022