Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad Freaky Friday In Freaky Friday, I aimed to create a visually dynamic world that balances bold simplicity with a vibrant storytelling style inspired by Archie Comics. This scenic design uses clean lines, bright colors, and stylized shapes to transform the stage into a lively, cartoon-like setting that enhances the high energy of the performance. Each element is designed with precision, inviting the audience into an engaging and playful environment that complements the story’s humor and warmth. Previous Next Next Creative Team Music by Tom Kitt Lyrics by Brian Yorkey Book by Bridget Carpenter Directed by Josh Walden Scenic Design by Brandon PT Davis Costume Design by Zachary Phelps Lighting Design by Savannah Bell Sound Design by Kayla Singer Okoboji Summer Theatre / 2024

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad The Pajama Game For The Pajama Game, I focused on creating a flexible and visually engaging set that captures the bustling atmosphere of the 1950s Sleep-Tite Pajama Factory. Inspired by graphic design techniques in film, I designed bold signage to facilitate quick scene changes while maintaining the vibrant energy of the factory floor. This approach emphasizes the musical’s choreography and highlights the story’s themes of labor and love, offering a dynamic, period-appropriate backdrop for the evolving narrative. Previous Next Next Creative Team Music and Lyric by Richard Adler & Jerry Ross Book by George Abbott & Richard Bissel l Directed by Don Hill Music Direction by Lex Leigh Choreography by Allison Eversol Scenic Design by Brandon PT Davis Costume Design by Sarah Monaghan Lighting Design by Natori Cumming-Haynes Sound Design by Ningru Guo University of California, Irvine Claire Trevor Theatre / 2019

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad The Liar For The Liar by David Ives, adapted from Pierre Corneille, I created a scenic design that embraced the play’s playful wit and period charm. The design balanced classical architectural elements with bold, exaggerated features, reflecting the farcical tone of the story. Vibrant colors and dynamic stage compositions supported the heightened energy of the dialogue, while intricate period-inspired details anchored the setting in its historical roots. This approach emphasized the comedy’s theatricality, inviting the audience into a visually engaging world where deception and humor collide. Previous Next Next Creative Team Written by David Ives (adapted from Pierre Corneille) Directed by Lamby Hedge Scenic Design by Brandon PT Davis Costume Design by Patti Doyle Lighting Design by Justin Hoffecker Sound Design by Michael Burke Okoboji Summer Theatre / 2012

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad An Enemy of the People For An Enemy of the People, I drew inspiration from Tokyo’s 2D Café, utilizing a grayscale aesthetic that highlights the stark themes of Ibsen’s play. The set features rough, almost Gothic sketches as part of the backdrop, creating a surreal, illustrated environment. Contrasting red furniture punctuates the monochromatic space, emphasizing the tension and moral conflicts at the heart of the story. This bold visual approach reinforces the play’s exploration of truth, power, and resistance, immersing the audience in a world as intense as the narrative. Previous Next Next Creative Team Written by Henrick Ibsen Directed by L.R. Hults Scenic Design by Brandon PT Davis Costume Design by Martha C. Clarke Lighting Design by Zack Anderson Sound Design by Michael Burke Stephens College / 2023

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad American Idiot For American Idiot, I aimed to translate the raw, unfiltered energy of Green Day’s music into a scenic design that captures the intensity of urban and suburban life. The set features concrete structures and industrial elements, creating a stark environment that reflects the characters’ struggle for self-identity and escape. This minimalist design enhances the story’s themes of rebellion and transformation, immersing the audience in the gritty reality of the characters’ journeys as they confront the familiar world they seek to redefine. Previous Next Next Creative Team Music by Green Day Lyrics by Billie Joe Armstrong Book by Billie Joe Armstrong & Michael Mayer Directed by Andrew Palermo Music Direction by Lex Leigh Choreography by Allison Eversol Scenic Design by Brandon PT Davis Costume Design by Jennifer Clark Lighting Design by David Hernandez Sound Design by Jordan Tani Projection Design by Elizabeth Barrett University of California, Irvine Claire Trevor Theatre/ 2018

Scenic Design All Musical Play All Musical Play Add a Title Barefoot in the Park “The charm of romance and urban grit blend in a cozy New York walk-up.” Company “1970s flair meets modern relationships in a vibrant, retro-inspired design.” Freaky Friday “Bold comic strip-inspired designs bring a whimsical and animated energy to this mother-daughter tale.” Boeing Boeing “Retro 1960s design takes off with vibrant interiors that embody elegance and farce.” The Penelopiad “Mythic minimalism and haunting aquatic visuals weave a poignant tale of Penelope’s perspective.” Tomás and the Library Lady “A magical library unfolds with vibrant, book-inspired designs that celebrate imagination and discovery.” The Merry Wives of Windsor “A 1960s sitcom-inspired world with vibrant facades and seamlessly gliding doors sets the stage for Shakespeare’s humor.” A Funny Thing Happened on the Way to the Forum “Ancient Rome gets a playful twist with bold, cartoon-like designs.” Head Over Heels “A playful fusion of medieval court and modern pop sensibilities, where bold colors and versatile elements reflect the journey of love and identity.” American Idiot “Concrete suburbia meets raw punk energy in a design that captures rebellion and disillusionment.” The Marvelous Wonderettes: Dream On ““Groovy 1970s patterns and colors set a nostalgic tone for this harmony-filled sequel.” ¡Lotería: Game On! “Traditional Lotería cards inspire a vibrant and culturally rich scenic design.” Cole “Jazz sophistication shines in sleek designs that echo Cole Porter’s timeless melodies.” An Inspector Calls “A haunting blend of Edwardian elegance and atmospheric shadows sets the stage for this gripping mystery.” All My Sons “A timeless front porch witness to family secrets and moral reckonings.” Rich Girl ““Modern, elegant designs explore the conflict between wealth and personal identity.” The Pajama Game “A bustling factory floor infused with mid-century charm sets the stage for love and labor disputes.” The Last Train to Nibroc “Minimalist details evoke the intimacy and nostalgia of a chance encounter on a fateful train ride.” The Bald Soprano “Surreal, geometric design heightens the absurdity and comedic chaos of this avant-garde classic.” An Enemy of the People “Clean, modern lines underscore the clash between integrity and societal corruption.” A Smalltowne Christmas “Cozy nostalgia and holiday charm transport audiences to the heart of a small-town celebration.” Vanya and Sonia and Masha and Spike “A whimsical blend of rustic charm and theatrical flair sets the stage for Chekhovian drama with a modern comedic twist.” Urinetown “Gritty, industrial design juxtaposes dystopian decay with satirical humor, capturing the essence of Urinetown’s biting social critique.” Little Shop of Horrors “Urban grit meets campy sci-fi in a vibrant design that brings Skid Row and its carnivorous plant to life.” Don't Dress For Dinner “A charming countryside retreat becomes the perfect setting for comedic chaos and romantic mischief.”

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad Company For Company, I set out to encapsulate the raw and dynamic atmosphere of 1970s New York City, a city alive with grit and edge. Inspired by the unpolished aesthetics of the era, the set mirrors Bobby’s internal conflicts and the vibrancy of his relationships. The design’s juxtaposition of intimate and chaotic elements underscores the emotional depth of each vignette, creating an immersive environment that embodies the intensity and complexity of both the city and the play’s characters. Previous Next Next Creative Team Music and Lyrics by Stephen Sondheim Book by George Furth Directed by Eli Simon Music Direction by Lex Leigh Choreography by Allison Eversol Scenic Design by Brandon PT Davis Costume Design by Cassie DeFile Lighting Design by Jacob P. Brinkman Sound Design by Garrett Gagnon University of California, Irvine Barclay Stage / 2019

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad The Complete Works of William Shakespeare (abridged) For The Complete Works of William Shakespeare (abridged) at Okoboji Summer Theatre, my scenic design embraced the playful and irreverent spirit of the show. The set featured a versatile and modular design to accommodate the fast-paced transitions between Shakespeare’s iconic works. Bold visual elements and a dynamic stage layout created an environment that supported the comedic tone while offering flexibility for the actors' physical and improvisational performances. This design celebrated the humor and chaos of the production while keeping the focus on the rapid-fire storytelling. Previous Next Next Creative Team Written by Adam Long, Daniel Singer, and Jess Winfield Directed by David Davalos Scenic Design by Brandon PT Davis Costume Design by Theresa Hartman Lighting Design by Justin Hoffecker Sound Design by Michael Burke Okoboji Summer Theatre / 2014

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad Dial "M" For Murder For Dial M for Murder at Okoboji Summer Theatre, my scenic design embraced minimalist principles to amplify the play's suspense and psychological tension. The apartment of Tony and Margot Wendice was hinted at with elegant yet sparse furnishings, creating an air of sophistication while leaving surrounding areas in darkness. This choice heightened the sense of confinement and isolation central to the story, drawing the audience into the underlying themes of deception and danger. Each design element, from the functional layout to the subdued decor, was meticulously crafted to enhance the narrative and immerse the audience in the characters’ entrapment. Previous Next Next Creative Team Written by Frederic Knott Directed by Fred Rubeck Scenic Design Brandon PT Davis Costume Design Alice Crist Lighting Design Savannah Bell Sound Design Kayla Sliger Okoboji Summer Theatre/ 2023

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Vectorworks Beginner Tutorials Starting with Vectorworks? This beginner series guides you through the fundamentals, from basic tools and navigation to essential skills for scenic and experiential design. Whether you’re completely new or need a refresher, these tutorials break down each step to help you confidently build your foundation in Vectorworks. Vectorworks Beginner Tutorials All Categories Play Video Play Video 25:06 3D Viewport Play Video Play Video 18:29 Vectorworks Tutorial: 3D Tools Palette Play Video Play Video 13:34 Vectorworks Tutorial: Texture Introduction Music: Fluffy by Smith The Mister https://smiththemister.bandcamp.com Smith The Mister https://bit.ly/Smith-The-Mister-YT Free Download / Stream: https://bit.ly/stm-fluffy Music promoted by Audio Library https://youtu.be/OM9G3nyLT_w Play Video Play Video 05:21 Vectorworks Tutorial: Hybrid Symbols An introduction to Hybridy symbols in Vectorworks. Music: Fluffy by Smith The Mister https://smiththemister.bandcamp.com Smith The Mister https://bit.ly/Smith-The-Mister-YT Free Download / Stream: https://bit.ly/stm-fluffy Music promoted by Audio Library https://youtu.be/OM9G3nyLT_w Tutorials Welcome to the tutorials page, where I share essential techniques and insights from my experience as a scenic and experiential designer. These tutorials are designed for both new and seasoned designers who want to expand their skills in industry-leading software like Vectorworks, Twinmotion, and more. From mastering design fundamentals to exploring advanced rendering and drafting methods, each tutorial offers practical guidance tailored for real-world theater and live event design. Dive in to learn new approaches, sharpen your skills, and bring your creative vision to life. Vectorworks Quick Tips For designers who need fast, actionable insights, the Quicktips series delivers focused tutorials on specific Vectorworks features. Each tip offers practical solutions and shortcuts that streamline your workflow and enhance your design process, helping you work smarter in Vectorworks. Vectorworks | Quick Tips All Categories Play Video Play Video 10:46 Vectorworks Quick Tips: Camera Tool and Rendering Play Video Play Video 03:36 Vectorworks Quick Tip: Print To Page This tutorial will guide you to formate Arch D Pages without Adobe Acrobat or other PDF Printers. Play Video Play Video 06:20 Quick Trim Profiles This is a Vectorworks Tutorial show how to quickly trace a trim profile using the Polyline Tool and create a "grouped" Symbol. Music: Fluffy by Smith The Mister https://smiththemister.bandcamp.com Smith The Mister https://bit.ly/Smith-The-Mister-YT Free Download / Stream: https://bit.ly/stm-fluffy Music promoted by Audio Library https://youtu.be/OM9G3nyLT_w

Scenic Deisgn Barefoot in the Park Freaky Friday Boeing Boeing The Penelopiad A Smalltowne Christmas For A Smalltowne Christmas, I aimed to create a warm and nostalgic setting that captures the charm and tradition of Smalltowne’s annual holiday celebrations. The set reflects the joy and whimsy of the Christmas spirit, with vibrant colors, playful elements, and traditional holiday décor that welcomes the audience into the world of Smalltowne. Each scenic detail supports the heartwarming journey of Angela and the townspeople as they rediscover the true meaning of Christmas, balancing festive cheer with a story of family, community, and holiday magic. Previous Next Next Creative Team Written by Stacia Fernandez Music and Lyrics by Danny J. Rooney Directed and Choreographed by Richard Stafford Associate Direction by Stacia Fernandez Scenic Design by Brandon PT Davis Costume Design by Briann Johnson & Martha Clarke Lighting Design by Vincente Williams Sound Design by Michael Burke Stephens College Macklanburg Playhouse / 2021