The Penelopiad
A ritual memory space for The Penelopiad, where Penelope and the maids testify within the same visual architecture, balancing epic framing with intimate address.
- Year
- 2020
- Company
- University of California Irvine
- Project
- Drama
- Location
- Irvine, CA
The Penelopiad became a layered memory space where testimony, ritual, and counter-narrative could coexist. At UC Irvine, the scenic design avoided reconstructing ancient Greece and instead framed the stage as a world of witness.
A major concern was chorus visibility. The composition needed to support group presence without flattening the action, so open geometry and layered levels allowed the world to expand into epic framing or compress into intimate address.
The material language balanced austerity with symbolic texture. The design gave Penelope and the maids a shared architecture while making the imbalance of power, authorship, and inherited myth visible.
Creative team
- Playwright
- Margaret Atwood
- Composer
- Luke Shepherd
- Director
- Sara Rodriguez
- Scenic Designer
- Brandon PT Davis
- Costume Designer
- Sarah Monaghan
- Lighting Designer
- Avery Reagan
- Sound Designer
- Jack Bueermann
- Projection Design
- Merle DeWitt III
Links
Million Dollar Quartet
The Merry Wives of Windsor Cove
The Glass Menagerie
Bell, Book, and Candle
Head Over Heels
Romeo & Juliet
Much Ado About Nothing
¡LOTERIA: GAME ON!
A Funny Thing Happened on the Way to the Forum
Romero
Urinetown
An Inspector Calls
All's Well That Ends Well
Little Shop of Horrors
Tomás and the Library Lady
The Penelopiad
Company
American Idiot
Parliament Square
An Enemy of the People
The 25th Annual Putnam County Spelling Bee
Boeing, Boeing
The Bald Soprano
Vanya and Sonia and Masha and Spike
The Man of La Mancha
Dial “M” for Murder
All My Sons
Last Train to Nibroc
Rich Girl
